{"id":55,"date":"2023-08-03T08:34:28","date_gmt":"2023-08-03T08:34:28","guid":{"rendered":"https:\/\/semjonsemjon.com\/?page_id=55"},"modified":"2026-04-01T16:22:42","modified_gmt":"2026-04-01T16:22:42","slug":"cv","status":"publish","type":"page","link":"https:\/\/semjonsemjon.com\/index.php\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"[et_pb_section fb_built=“1″ _builder_version=“4.16″ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_gallery gallery_ids=“19,18,20″ _builder_version=“4.22.0″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_gallery][et_pb_text _builder_version=“4.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ hover_enabled=“0″ global_colors_info=“{}“ sticky_enabled=“0″]

1962\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 geboren in Wiesbaden<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 lebt und arbeitet in Berlin<\/p>\n

 <\/p>\n

2011 \u2013 2026 ff \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Semjon Contemporary, Galerie f\u00fcr zeitgen\u00f6ssische Kunst<\/p>\n

2011 \u2013 2021 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 K\u00fcnstlerisches Sabbatical<\/p>\n

2021 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Durch \u00bbKioskShop berlin (KSb) wieder als K\u00fcnstler pr\u00e4sent<\/p>\n

2003 \u2013 2010 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Interventionen @ KioskShop berlin (KSb)<\/em>, kuratierte Einzel- und Gruppenausstellungen mit internationalen<\/p>\n

K\u00fcnstlern<\/p>\n

2000\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lecture in der Cranbrook Art Academy, Michigan<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kritik mit Studenten der Cranbrook Art Academy<\/p>\n

1999\/2000 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Arbeitsaufenthalt in New York (DeliGrocery Project 2002)<\/p>\n

1997 \u2013 2000 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Freelance Textildesign f\u00fcr Bottega Veneta<\/p>\n

1994\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Meistersch\u00fcler von Georg Baselitz in Berlin<\/p>\n

1993 \u2013 1994 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Halbj\u00e4hrige Studienaufenthalte in New York<\/p>\n

1991 \u2013 1992 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Studienaufenthalt in New York; Mentor: Terry Winters<\/p>\n

1989\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Master Class of Drawing in Como\/Italien (Fondazione Antonio Ratti) mit Arnulf Rainer und Georg Baselitz<\/p>\n

1987 \u2013 1994 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Studium der Bildenden Kunst an der Hochschule der K\u00fcnste in Berlin bei Prof. Georg Baselitz<\/p>\n

1984 \u2013 1987 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Studium der Kunstgeschichte und der Klassischen Arch\u00e4ologie in Berlin<\/p>\n

 <\/p>\n

Preise und Stipendien<\/strong><\/p>\n

2004\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Projektf\u00f6rderung durch den Hauptstadtkulturfonds f\u00fcr KioskShop berlin<\/p>\n

2001 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Projektf\u00f6rderung des Berliner Senats f\u00fcr KioskShop berlin (KSb)<\/p>\n

1993\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Projektf\u00f6rderung des Berliner Senats f\u00fcr Black Box im Goethe House, New York<\/p>\n

1991 \u2013 1992 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0New York-Studienstipendium des Evangelischen Studienwerkes<\/p>\n

1988 \u2013 1994 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Studienstipendium des Evangelischen Studienwerkes, Haus Villigst<\/p>\n

1989\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Preis der Fondazione Antonio Ratti, Como\/Italien f\u00fcr Zeichnung<\/p>\n

 <\/p>\n

Ausstellungen und realisierte Projekte (Auswahl)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 <\/strong>(E) = Einzelausstellung<\/p>\n

Seit 2021 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(Resurrection of) \u00bbKioskShop berlin (KSb)\u00ab<\/em>, Semjon Contemporary, Berlin (E)<\/p>\n

2021 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Konstruktion der Moderne \u2013 DIe Berliner Sammlung Dr. Carl Theodor Gottlob Grouwet (1919)<\/em>,<\/p>\n

Semjon Contemporary (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0X x X \u2013 10 Jahre Semjon Contemporary<\/em><\/p>\n

2019 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a048 hrs<\/em>, Semjon Contemporary<\/p>\n

2012 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Z\u00fcndstoff Wachs \u2013 Wachs in der Kunst<\/em>, Museum Villa Rot<\/p>\n

2011 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Sabbatical<\/em>, KioskShop berlin (KSb) (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(Selbst)-Portrait \u2013 Abbilder und Netzwerke<\/em>, Schwules Museum, Berlin<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Stockwerk nach Ambroise Vollard<\/em>, KioskShop berlin (KSb) (E)<\/p>\n

2010 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\/ + \\ = X<\/em>, kuratiert von Christian Nerf und Spunk Seipel,\u00a0Serial Work Studio, Cape Town, South Africa<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Konstruktion der Moderne: Die Berliner Sammlung Dr. Carl Theodor Gottlob Grouwet (1919)<\/em>,<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0KioskShop berlin (KSb) (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 chambre s\u00e9par\u00e9e \u00e9rotique<\/em>, Pane e Tulipane, kuratiert von Niels Grossien (WTC, White Trash Contemporary,<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Hamburg)<\/p>\n

2009 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Fuoco di vetro<\/em>, Au\u00dfeninstallation, Collezione Laura Lisa Braggion, Bastia di Rovolon, Italien<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Favorites Drawings<\/em>, KioskShop berlin (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fine Art Services<\/em>, Adalbertstra\u00dfe 9, Berlin<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mauerfall im KioskShop, KioskShop berlin (KSb) (E)<\/p>\n

2008 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 KioskShop berlin goes Splendid Delikatessen<\/em>, Berlin (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 KioskShop berlin goes Tease Art Fair<\/em> Cologne, K\u00f6ln (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Paradies (Wintergarten)<\/em>, KioskShop berlin (E)<\/p>\n

2007 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 KioskShop berlin goes Kunsthaus Erfurt<\/em>, Kunsthaus Erfurt (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dekonstruktion\/Konstruktion<\/em>, Auftragsarbeit Wandgestaltung Privatwohnung von C. K\u00f6hler, Berlin<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Salon rouge: Gaiety, Installation<\/em>, 4. Berliner Kunstsalon (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 KioskShop berlin goes 4. Berliner Kunstsalon<\/em> (E)<\/p>\n

2006\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0KioskShop berlin goes MS Europa<\/em>, EUROPA.art 2006, Hamburg bis Lissabon (E)<\/p>\n

2005 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0after all, constructing an artwork is still building a dream<\/em>,\u00a0Galerie Markus Richter, Berlin<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0KioskShop berlin goes 2. Berliner Kunstsalon<\/em>, Arena Berlin-Treptow (E)<\/p>\n

2004 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Zusammentreffen<\/em> (B2B<\/em>-Projekt von Jan-Holger Mauss), Galerie Aplanat, Hamburg<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 KioskShop berlin goes Munich<\/em>, Kulturkiosk-Kanzler, M\u00fcnchen (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 KioskShop berlin goes Ku\u2019Damm 101<\/em>, Berlin (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 KioskShop berlin goes 1. Berliner Kunstsalon<\/em>, Arena Berlin-Treptow(E)<\/p>\n

2003 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0RoseGarden & Structural Drawings<\/em>, RubinChapelle, New York (E)<\/p>\n

2002 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 One man show<\/em>, Kunst Z\u00fcrich mit Galerie Markus Richter (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 KioskShop berlin goes Art Forum Berlin<\/em>, Sonderstand (E)<\/p>\n

2001 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dazwischen \/ In Between<\/em>, Galerie Markus Richter, Berlin (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 KioskShop berlin work in progress I + II<\/em>, KioskShop berlin (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Painterly Photography<\/em>, Blains Fine Art, London<\/p>\n

2000 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Multiple bodies<\/em>, LL Gallery (Lime Light), New York<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 7 @ 7, Seven artists at Seven<\/em>, New York, Seven store<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 RoseGarden Project<\/em>, New York (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Fashion meets Art: H. N. Semjon at Alfred Dunhill<\/em>, Alfred Dunhill Store, Madison Avenue, New York (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Eden revisited<\/em>, Islip Museum, East Islip, NY<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Still Still<\/em>, zusammen mit Peter Welz, Dirk Rathke, Allan Uglow, Project Space Auguststra\u00dfe, Galerie<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Markus Richter (Berlin) und Vous-Etes-Ici\u00a0(Amsterdam)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Fabula: Consumer media and contemporary Art<\/em>, zusammen mit Sylvie Fleury, Vanessa Beecroft,<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Masato Nakamura, Tom Sachs und\u00a0ArtClub 2000, Cranbrook Art Museum, Detroit<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Abendmal<\/em>, Installationsskulptur im Restaurant Abendmahl, Berlin (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Mural Drawing & Portrait Paintings<\/em>, Galerie Markus Richter,\u00a0Potsdam (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Product Sculpture, Kiosk (w.i.p.) und Mural Drawing<\/em>, Gesellschaft f\u00fcr Bildende Kunst, Trier (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Countdown<\/em>, DeliGrocery-Pr\u00e4sentation, Bildhauer-Foyer Constanze Pressehaus, Berlin (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Denkpause<\/em>, Wandelhalle, K\u00f6ln<\/p>\n

1998 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Deli\/Grocery Project<\/em>, Project Space, AU base, New York (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Blick zur\u00fcck nach vorn<\/em>, Galerie Markus Richter, Potsdam<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Product Sculptures<\/em>, dirty windows, Berlin (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Grenzg\u00e4nge<\/em>, Meinblau im Pfefferberg, Berlin<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Product Sculptures and others<\/em>, AU base, New York (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Das Bild vom Bild<\/em>, zusammen mit Karina Spechter, Thomas Skiba, Harald Kohlmetz,<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Galerie Alex Lachmann, K\u00f6ln<\/p>\n

1997 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Unity in difference \/ ausgew\u00e4hlte Werkgruppe<\/em>n, Galerie Michael Kalinka, Dresden (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Unity in difference \/ Part VI<\/em>, Galerie Markus Richter, Potsdam (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Acchrocage<\/em>, AU base, New York<\/p>\n

1996 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Kiosk<\/em>, Berlin (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Im Zentrum des Geschehens \u2013 Berlin Paintings, u.a<\/em>. ,\u00a0Weinhaus Huth, Potsdamer Platz, Berlin (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Absolut Modern Sein<\/em>, Galerie Markus Richter, Potsdam<\/p>\n

1995 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Unity in difference<\/em>, Galerie Lansberg, Paris (E)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Triplet Series\/ Neue Arbeiten<\/em>, Sammlung Scheuermann, K\u00f6ln (E)<\/p>\n

1994\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Unity in difference\/ neue Arbeiten und … avantgarde tendencies of the early 90’s.<\/em>..,<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Galerie Alex Lachmann, K\u00f6ln (E)<\/p>\n

1993\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Black Box<\/em>, Goethe House, New York (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Nine Triplets and a Teddybear<\/em>, Sammlung Scheuermann, K\u00f6ln (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Unity in difference<\/em>, Galerie Alex Lachmann, K\u00f6ln (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The Triplet Series<\/em>, Stephen Solovy Fine Art, Chicago (E)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Unity in difference<\/em>, Galerie Ressel, Wiesbaden (E)<\/p>\n

1992\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Berlin-New York and vice versa<\/em>, Deutsches Generalkonsulat, New York (E)<\/p>\n

1991\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Black Box<\/em>, Abgu\u00df-Sammlung antiker Plastik, Berlin (E)<\/p>\n

1987 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Sisyphos, eine kinetische Performance<\/em>, Tiergarten Berlin (E)<\/p>\n

 <\/p>\n

Messebeteiligungen<\/strong><\/p>\n

1993 Art Chicago (Stephen Solovy Fine Art), 1993-1998 Art Cologne (Galerie Alex Lachmann); 1994 Art Basel (Galerie Alex Lachmann); 1995\u20131997 Art Multiple (Galerie Markus Richter); 1997 Gramercy Art Fair Miami (A.R.T.); 1997 Graphik Dresden (Markus Richter); 1998 Art Frankfurt (Galerie Markus Richter; Galerie Michael Kalinka), 1998 Graphik Dresden (Galerie Markus Richter; Galerie Michael Kalinka); Gramercy Art Fair N.Y. (AU base), N.Y. Downtown Art Exchange (AU base), SOFA Chicago (Vedanta Gallery, Chicago), Kunst Z\u00fcrich (Galerie Markus Richter); 1999 Art Frankfurt (Galerie Markus Richter, Galerie Michael Kalinka), Kunst Dresden (Galerie Michael Kalinka), Art Forum Berlin (Galerie Markus Richter); 2000 Art Forum Berlin (Galerie Markus Richter), Kunst Z\u00fcrich (Galerie Markus Richter), Artissima, Torino (Galerie Markus Richter); 2001 Art Forum Berlin (Galerie Markus Richter), Artissima, Torino (Galerie Markus Richter); 2002 Kunst K\u00f6ln (Deutsche Guggenheim), Art Br\u00fcssel (Galerie Markus Richter), Art Forum Berlin (Galerie Markus Richter), Artissima, Torino (Galerie Markus Richter), 2003 Art Bologna (Galerie Markus Richter), Armory Show (Galerie Markus Richter), Art Chicago (Galerie Markus Richter), Art Forum Berlin (Galerie Markus Richter), Artissima, Torino (Galerie Markus Richter); 2004 Armory Show (Galerie Markus Richter), Art Forum Berlin (Galerie Markus Richter), Artissima, Torino (Galerie Markus Richter), 2006 Pulse Miami (Galerie Michael Schultz)<\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]","protected":false},"excerpt":{"rendered":"

1962\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 geboren in Wiesbaden \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 lebt und arbeitet in Berlin   2011 \u2013 2026 ff \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Semjon Contemporary, Galerie f\u00fcr zeitgen\u00f6ssische Kunst 2011 \u2013 2021 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 K\u00fcnstlerisches Sabbatical 2021 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Durch \u00bbKioskShop berlin (KSb) wieder als […]<\/p>\n","protected":false},"author":1,"featured_media":19,"parent":0,"menu_order":12,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-55","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/semjonsemjon.com\/index.php\/wp-json\/wp\/v2\/pages\/55","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/semjonsemjon.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/semjonsemjon.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/semjonsemjon.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/semjonsemjon.com\/index.php\/wp-json\/wp\/v2\/comments?post=55"}],"version-history":[{"count":24,"href":"https:\/\/semjonsemjon.com\/index.php\/wp-json\/wp\/v2\/pages\/55\/revisions"}],"predecessor-version":[{"id":243,"href":"https:\/\/semjonsemjon.com\/index.php\/wp-json\/wp\/v2\/pages\/55\/revisions\/243"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/semjonsemjon.com\/index.php\/wp-json\/wp\/v2\/media\/19"}],"wp:attachment":[{"href":"https:\/\/semjonsemjon.com\/index.php\/wp-json\/wp\/v2\/media?parent=55"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}